Tuesday, 15 June 2010

Patchings Art Festival

Last Saturday I was at the Patchings Art Festival, near Nottingham. It was such a great experience and how I missed this annual art event in the past! It is a 4 day festival but I could manage to be there on only one day. I carefully selected Saturday when most of my favourite painters demonstrated their skills and shared their knowledge. I had a chance to speak with David Curtis, disappointed though that he was working on an oil painting at that time. Met my teacher and friend Peter Woolley who was kind enough to give me some tips on foliage. (Use very little of Prussian blue in the mix and pass the cadmium yellow for green most of the time.)Attended 2 of the demos of Charles Evans which were very lively. He uses only 8 colours and 4 brushes! It was shocking to know one of the colours is Hooker's Green, (which he admitted as the same as admitting oneself to be alcoholic, but he says he can make myriad greens mixing it with the other colours in his palette). See his picture below:

 David Bellamy painted a coastal scene with rocks and mountains. I learnt how Yellow Ochre pushes out the other colours but gives a lively variation to the mountains. I saw Fiona Peart doing 2 landscapes, the place was jam packed and I could only stand and watch. She showed how to represent a misty background with clever use of gouache with a slight blue  tinge. Peter Woolley and me admired the way David Curtis paints his architectural subjects so well. One other artist I liked very much was Trevor Lingard, I saw him  do his wet in wet dark toned landscape. For me the find of the Festival was Robert Newcombe, it was a revelation talking to him and watching him do his what he calls 'impressonistic line and wash' using a sharpened match stick in place of a drawing pen. I admired his work greatly and he presented me with one of his sharpened match sticks! I tried  line and wash watercolours using his match stick just to test how good it could be, here are my attempts. Though I did these in a hurry to recapture his style, I plan to use this method in a few paintings. I always had a few reservations
about line and wash but my mental block is gone. It is a really new rewarding experience.


Friday, 11 June 2010

I thought summer was here!

It is very fleeting, the feeling of summer, you can never trust. Nothing is as it seems to be! Anyway as the saying goes, make hay while the sun shines, whenever it does in these parts! I thought I ran into an artist's block during which period nothing came right! I always try to do something out of my way and loose to break out of that block. I saw this photo in the Sunday Times and decided to do some bodyscape in the beachscape! Gave myself half an hour and let the brush wander loosely on the beach! Thanks for looking! Have a nice (summer) day!

Tuesday, 8 June 2010

Hereford Cathedral, view from the river Wye

The Cathedral in Hereford offered magnificent views from anywhere in the town. I liked this one from the banks of the river Wye because of the painterly opportunities it offered to paint the trees, water and the birds thereof. To include all elements I selected the vertical format and slightly herded in the surroundings to fit the frame. May be if I am planning to do it again, I will try the landscape format. This was done on Arches 300lb Not surface, half imperial. Thanks for viewing, have a nice day!

Wednesday, 2 June 2010

The Church of St Margarets Newton, Herefordshire

While attending the literary festival at the 'Hay on the Wye' last weekend, we stayed in a small but lovely parish of St Margarets Newton, some 10 miles away from the Hay. It was on a most scenic part of  Herefordshire and an early morning walk took us to this lovely old church with the sun just coming out after a day of rain. I wish I had brought my sketch book with me, but the early morning scene was so beautiful and was well etched in my mind.The feeling of early morning sunlight has been well captured in my painting in which I had pushed the focus to the golden mean area. The orderly tombstones had been replaced by some loose ones to give some 'life', (I mean to the painting). Done Bockingboard 485gms Rough half sheet. Comments and criticisms welcome! Thanks for viewing!

Tuesday, 18 May 2010

Cornwall Coastline

The Cornwall coast offered some magnificent views for painting. 

The first one is off the Lands End coast. Boats provide some link outside the elements of nature which these two paintings depict. It was fun doing the water, mountains, cloudy sky and a bit of the sandy beach..

  The second one is off the peaceful village of St Agnes. Hope you like these paintings. Thanks for viewing.

Thursday, 13 May 2010

On homeground!

Distant hills and coconut treeline setting up the background, green paddy fields forming the middle ground and and a lonely furrow in the foreground is an ideal subject for this portrait format! Taking the eyes into the painting and holding them there are the big shapes of the fields and their varied angles. Deliberately kept the trees taller than they should be to give that vertical contrast to the frame  when all else is horizontal! I put elements from different reference photos to create this exercise in design, without loosing the spontaneity of a simple subject. Thanks for viewing! Comments welcome!
(Half sheet Bockingford 425gms NOT surface, W&N tubes-lemon yellow, ultramarine, cobalt blue, burn umber, manganese violet, rose madder)

Friday, 7 May 2010

Kyrenia, Turkish Cyprus

Kyrenia, Turkish Cyprus is a harbour town busy with tourists with an old castle on the beach. Last December we were there and it was a nice sunny day. You cannot miss the sunlight in this painting done on a half sheet of Arches NOT paper 300gms. Thanks for viewing and comments welcome as always.

Monday, 3 May 2010

Church of St Leonard, seen from  the Charlacote Park, near Stratford upon Avon. 51cm x 33 cm
This was based on my photo taken last year when visiting Stratford upon Avon. The Charlacote Park, a National Trust property, is outside Stratford upon Avon and at a distance from the sprawling gardens of that property looms this beautiful church. The sky in the photo was a gloomy one which I transformed into a  dynamic one, the accidental blooming just above the Church roof adding to the liveliness. Thanks for looking and comments appreciated!

Wednesday, 28 April 2010

One from Rajasthan!

Rajasthan always evokes emotions of bright and bold colour and exotic expanses of landscapes which are unique to this western state of India. I tried to combine both in this landscape with the focus on the colourful ladies fetching water. The lonely and bewildered goat acts as an eye-stopper and also as a contrast to the blithe group of colourful ladies. Done on Indian hand-made paper, 71 cm x 52 cm. Thanks for looking and comments welcome!

Wednesday, 21 April 2010

Portrait of my wife and a landscape of a scene from India

I did a portrait of my wife to mark our wedding anniversary which passed by recently. I selected a photograph taken a few  years ago which was a favourite of mine. Here it is, 37 cm x 28 cm CP watercolour paper 140 lb.
 The second painting is a landscape very close to my hometown, it is a river called 'Chinnar'. I tried  a style called as 'bio-mimicry' by the Artist Joe Dowden while doing the trees and the foliage, its a tough thing and time consuming procedure, but I liked the end result. It is done on Waterford rough 640gms watercolour paper, 52cm x 34cm.
Your comments welcome! Thanks for looking!

Monday, 5 April 2010

Hovis Hill (Gold Hill) of Shaftesbury, Dorset

Not been able to paint for while what with our holiday in Cornwall, Devon, Dorset and Isle of Wight, some of the most beautiful places in the UK and a busy Ester period thereafter. Alas the weather was not our ally but we were able to cover most of the important places we had planned to see. The famous ' Hovis Hill(Gold Hill) street of the village Shaftesbury is one! I remember having participated in a challenge to paint this quaint street last year in the Wetcanvas forum. This street is made famous by the Hovis bread ad, have a look!
http://www.youtube.com/watch?v=CFLBvLxLJMI 
After visiting this place, I really was motivated to do a little painting of this scene. Here is my version. I did this on a watercolour canvas and I liked the surface. I did this small since I am new to this surface. May do more, bigger ones soon! Comments welcome! Thanks for looking!

Tuesday, 16 March 2010

Temple goes to West Coast

Thanks to my facebook  id 'muruarts' created by Srich and his hard sell, two of my paintings are crossing the seas to the West Coast of the USA! Raga and Greg, are going to be the proud owners of the following paintings, which though are already sold, have been recreated for them. In my fourth attempt at the Shore Temple, I arrived at a close proximity to the original version, but I like the other three attempts also which convey stronger atmospheric moods.

The Shore Temple, Mahabalipuram, Tamil Nadu


The other painting, 'Winter in Pirohova'  did not tax me too much, the second attempt coming good. Lesson learnt-recreation is not easy, even your own paintings-water colour is a great leveler! 

Winter in Pirohova, Ukraine
Thanks for looking! Comments welcome!

Monday, 8 March 2010

Sunset in God's Own Country

This one is from Kerala, God's own country. I had a photo of the coconut trees and some boats in the backwaters. I wanted to add some drama by making it a sunset scene, so that I can play with colours. The distant row of trees is a device to give depth to the scene. The horizontal boats balancing the vertical trees. The coconut foliage was the difficult part of the painting. I enjoyed doing the water and the reflections. Hope you will like the painting-done on Arches rough surface, half sheet.
  Comments welcome, or just let me know your reactions just with a click.
Thanks for looking!

Monday, 1 March 2010

Village Street

Trying to get out of a painter's block! Was unable to focus on anything! Forced myself to do something not too demanding to break the deadlock. This is from a reference photo from our visit to India (Tamil Nadu) last year. We were coming out of an ancient Amman temple (Goddess Periyanayaki) which was adjacent to the famous Darasuram temple near Kumbakonam and this street beckoned us. The blaring sunlight made us squint our eyes becasue the temple precincts from where we  were stepping out were poorly lit and were rather dark. So what struck me in this was the sunlight which I tried to portray as the main attraction in this effort. Made on Arches Rough surface measuring  20"x14".
Comments welcome! Thanks for looking!